What's funny about that song is nobody thought much about it. I'd recorded it and there were two elements to that song, three really, that really gave it its definition. First of all was Barry Beckett's piano intro. I've preached this my whole life. I said, you know what a record is before the singer ever sings because of some great musician playing something that's memorable and unforgettable. And Barry did that. He came in one night, like two in the morning after being in session all day and all night. We called and said, hey man, we need a really great intro on this song. He said, okay, I'll come over. He's half asleep. And he plays it. And then all of a sudden it had its identity. And then after that was Patty's voice. Because I'd sung it, Patty Loveless sang the great high harmony on that. There was something that I can't explain that happens between our two voices. I sang on her first record, If My Heart Had Windows, and many of her records over the years. And then she returned the favor and she sang the first note of that first chorus whenever she first came in. And Tony and I looked at each other and just like, what just happened? What were we just a part of? And that was, those were the two amazing things. Another part of that song and story I love telling is Paul Franklin, my sweet buddy. He had played the solo on that song. And I liked it, but I wasn't like, it was just very, a little almost benign, a little just too safe, you know. And I called him up. I said, man, would you come back and replay that solo on When I Call Your Name? He goes, man, I really like that solo I played. And it pissed him off. Made him pretty mad. He told me later. And I said, well, I'd appreciate it if you'd come and give it another try. And I said, I really want that instrument to, I want it to weep. I want it to be like it used to be. I want you to play it where, you know, that was a period where everybody was going, let's not have the steel. And if we do, let's not make it sound like a steel. Just pad what the strings are doing. And it didn't take up the space that it used to in country music at that time. So I got him to really, to make it whine and make it cry and make it do what makes the steel guitar great. And then afterwards he confided. He said, I was really mad at you for a while after it did what it did. He says, I'm really grateful that you made me play it again. So between that, Patty's vocal, and Barry's piano playing, you know, that's what really, those were the three, to me, most defining factors of that record and that song. And what's funny, Barry, after the song became a hit, you know, and he produced some stuff on me prior to that. And we were great friends. We both played in Rodney's band together. And he came to me at the party to celebrate the hit. And he said, man, I am so proud of you. We've all wished this for you for a lot of years. And, you know, it was a whole lot of people that were excited something finally happened for me. And he said, I just got to ask you, who played piano on that? And I just laughed. I go, well, are you kidding? He goes, no, it's unbelievable. I said, well, it's you. He goes, it is? I said, yes. I said, you came in about 2 in the morning and played that. He goes, oh, well, no wonder I liked it.