Let's go, their technique is flex, flex, flex on the tempo Constantly focus, focus, focus on the musicality, on the development of the words The 24 track is fixed and the compressor is hot, the output is pop, pop, pop, and the phase is slow As for Crazy B, oh la la la la la la, stop, stop, stop Hey, hey, Crazy B, it's good now, pull up your style and rewind Let's go, let's go, let's go, let's go, let's go, let's go One, two, let's go, we're ready The road starts like this, in the way, either from the jump-jump to the scratch Hey, there is the charge, go, I'm vexed From the excitement of the events to the perplexity As for the future of the movement to the reflex As for the future of some people who I hope will be exes, if not, will be exes, ahem, ex, excluded Without excuse, a spirit without proof, without C, but who knows, we know it that way You know that we know that we are Sam We have arrived motivated, activated, approved, tried, innovated That we are funky, that we do it, hey Preserved, preserved, in totality All thoughts, well spent, without rejecting the criticism But on the other hand, we take advantage, no matter the meaning of the criticism, SSI Uh, uh, Kamal, uh, change of style The synthetic allure does not take itself seriously The synthetic allure does not take itself, does not take itself seriously The question can be asked, but who, but who is fun? The answer is simple, the allure is fun and funky For life, I'm a guy, but I'm dragged into the galleys of the funky Uh, sorry I abuse the word funky, but the word funky is not an artifice The spirit in which the synthetic allure evolves quietly, SSI Without any pretension, without any chichou, without any jealousy But, but, it will never remain in the frame Hip hip hop hop, the CD has not changed Hip hip hop hop, our blood still remains in tip tip Tap tap, so the space is made by your trip trip Stop stop, no need, we don't need acid One thing you don't understand, no Mad funk, no No Tomb Raiders, no So I change the air and the formula There is something you can't understand R.A.P. has a groove, C.A.R.T. turns smooth The verse is tiktok, the proof, progressive and active An objective, technocrative, positive and passive A fight or not, we put in 3, 2, 1 Be creative without falling into an effect of Tra-tra-journalist This is the way in which R.A.P. wants to reach good notoriety And now that's it, now that's it Now that's it for notoriety And now that's it, now that's it For the notoriety of R.A.P.C.